PTM 211008

October 21, 2008

One great thing about technology and in particular software is the power it gives the artist/producer.

We recorded the vocals for Pleasurely That Machine at the weekend, personally I think will be one of the highlights of the new album, anyway as usual the idea given to Sarah was fairly raw although one of the most completed ideas. The process I take once the vocals are recorded is clean the audio files up and composite the various takes together, I also tend to strip silence into the audio files rather than use a gate to cutout any in between the phrases. On this album we have created a dedicated space for vocals and purchased the SE Electronics reflexion filter which deadens the sound around the mic which really helps. A few weeks ago I purchased a piece of software called Melodyne following a couple of recommendations. Not that Sarah’s vocals need a great deal of tuning, the main reason for getting this software was the help me fit together the double tracked vocals. Rather than creating a double tracked effect we always record the verses and choruses twice, we find this creates quite a nice vocal sound. The problem with this however is that the phrases sometimes don’t always match up. What Melodyne helps me do is fit these takes together perfectly, you can also pitch correct and change the timing of phrases using this software. It’s a great tool and I wished I had bought it at the start of recording this album as it would have saved me hours or re-recording Sarah’s vocals.

Next week we will be recording the next Podcast, following some of your questions I will be giving you a quick tour of set-up and showing off the tools we use.

Matt